{"id":188,"date":"2017-01-12T01:50:42","date_gmt":"2017-01-12T08:50:42","guid":{"rendered":"http:\/\/sprocketless.com\/?p=188"},"modified":"2023-04-06T11:48:03","modified_gmt":"2023-04-06T18:48:03","slug":"nearly-there","status":"publish","type":"post","link":"https:\/\/sprocketless.com\/index.php\/2017\/01\/12\/nearly-there\/","title":{"rendered":"Nearly There!"},"content":{"rendered":"\n<p>A typical shot is rendered in separate layers, such as foreground elements, middle-ground character performances, and an out-of-focus background set.&nbsp; Over the past year, I tracked all of the 160 shots or shot-layers for&nbsp;<em>Catching the L Train<\/em> on a pipeline spreadsheet, where only final, locked shots were labeled in green.<\/p>\n\n\n\n<p>With only <strong>two shots remaining<\/strong> to polish and lock, the board is almost entirely green!<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"657\" src=\"http:\/\/sprocketless.com\/wp-content\/uploads\/Pipeline-1-1-1024x657.jpg\" alt=\"\" class=\"wp-image-189\" srcset=\"https:\/\/sprocketless.com\/wp-content\/uploads\/Pipeline-1-1-1024x657.jpg 1024w, https:\/\/sprocketless.com\/wp-content\/uploads\/Pipeline-1-1-300x193.jpg 300w, https:\/\/sprocketless.com\/wp-content\/uploads\/Pipeline-1-1-150x96.jpg 150w, https:\/\/sprocketless.com\/wp-content\/uploads\/Pipeline-1-1-768x493.jpg 768w, https:\/\/sprocketless.com\/wp-content\/uploads\/Pipeline-1-1.jpg 1128w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption class=\"wp-element-caption\"><em>The pipeline spreadsheet kept me organized<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading\">BY THE NUMBERS<\/h4>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"300\" src=\"http:\/\/sprocketless.com\/wp-content\/uploads\/Farm2-1-1-225x300-1.jpg\" alt=\"\" class=\"wp-image-190\" srcset=\"https:\/\/sprocketless.com\/wp-content\/uploads\/Farm2-1-1-225x300-1.jpg 225w, https:\/\/sprocketless.com\/wp-content\/uploads\/Farm2-1-1-225x300-1-113x150.jpg 113w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><figcaption class=\"wp-element-caption\"><em>Workhorses built by Dirk Mensonides<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p>The 160 separate shot layers resulted in more&nbsp;than &nbsp;<strong>24,000 finished frames<\/strong>. &nbsp; Each scene was <strong>rendered several&nbsp;times<\/strong>&nbsp;before the lighting, FX, and performances were locked. Rendering was handled by a render farm of 12 dedicated computers running 24\/7 for months at a stretch to make this 6.5-minute film possible.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A typical shot is rendered in separate layers, such as foreground elements, middle-ground character performances, and an out-of-focus background set.&nbsp; Over the past year, I tracked all of the 160 shots or shot-layers for&nbsp;Catching the L Train on a pipeline spreadsheet, where only final, locked shots were labeled in green. With only two shots remaining &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/sprocketless.com\/index.php\/2017\/01\/12\/nearly-there\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Nearly There!&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6,15,13,16],"tags":[],"class_list":["post-188","post","type-post","status-publish","format-standard","hentry","category-animation","category-behind-the-scenes","category-catching-the-l-train","category-post-production"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"A typical shot is rendered in separate layers, such as foreground elements, middle-ground character performances, and an out-of-focus background set. Over the past year, I tracked all of the 160 shots or shot-layers for Catching the L Train on a pipeline spreadsheet, where only final, locked shots were labeled in green. With only two shots remaining\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Raingruber\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/sprocketless.com\/index.php\/2017\/01\/12\/nearly-there\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.10\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"Sprocketless Entertainment - FADE IN...\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Nearly There! - Sprocketless Entertainment\" \/>\n\t\t<meta property=\"og:description\" content=\"A typical shot is rendered in separate layers, such as foreground elements, middle-ground character performances, and an out-of-focus background set. 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